Archive for June, 2010

30
Jun

Eric Miles Williamson Interview, “The New Henry Miller”

   Posted by: Moses Siregar III    in On Authors

Author interviews can be tame affairs. But Eric Miles Williamson had some interesting things to say in this Huffington Post interview with Anis Shivani, in which Williamson plays well the part of The Iconoclastic  Writer. It’s a long interview, so I’ll pull out just a few of the many provocative threads.

“Writers should write for the dead writers and the writers yet to be born,” he says, “for only they are worthy of our labors.” Without agreeing, I respect his sentiment and his quest. For example:

My copy of Shakespeare sits on my desk so I can remember that I suck, so that I feel bad about what I’m presuming to do. Every writer should feel like a failure. A writer who thinks he is a success is a bad writer.

Here’s the part, about how he learned from jazz soloists not to write every day, that really turned my head:

Methods. They vary according to what I’m writing. I’m not one of those writers like Hemingway or Jack London or Updike or you, Mr. Shivani, who writes every day. I personally don’t think it’s good for one’s art.

When I was making my living as a professional jazz trumpeter I once met the great alto saxophonist Phil Woods. He’s without compare as a soloist, better, in my opinion, than even Charlie Parker. Parker, if you study his solos, his improvisational patterns, falls into rote patterns, repeats himself, sometimes for up to three or four measures. And it’s not a deliberate self-citation, either. It’s that Charlie Parker, like so many artists, would find himself confronted with an artistic situation and respond with a statement he’d made before. I’ve done this myself in any number of essays I’ve written, and I’ve found myself, unfortunately, doing it in my fiction. This is to be avoided. Phil Woods never makes this faux pas. Faulkner does, Miles Davis does, Hemingway, Flannery O’Connor, Picasso and Van Gogh and even Bach. Not Phil Woods.

So when I met him I asked him how he did it, how he managed never to play the same lick twice. He told me that every five years he took a year off from his alto sax and played a different instrument, like the flute, for a year. By playing a different axe, he was forced, because of the physical and tonal differences, to rewire not only his thinking, but his physical relationship to his artistic medium. So when he went back to his alto saxophone, it was an alien to him, new once again, something to explore and understand and through which he could express himself differently than he had before alienating himself from it.

That’s passion for writing.

Tags: , , ,

29
Jun

Mock Cover: Good?

   Posted by: Moses Siregar III    in My Work

If I release my novel independently as an ebook and POD book, is this cover is good enough, or should I hire a professional to design a new cover?

p.s. I may drop the “DEUS EX KARMA,” which would free up some room, maybe for a front cover blurb.

Deus Ex Karma: The Black God's War Mock Cover

Tags: ,

Seriously, get this.

Product Description

Survival tips for 21st century writers, from best-selling authors Kevin J. Anderson, M.J. Rose, Heather Graham, J.A. Konrath, Gayle Lynds, Alexandra Sokoloff, Jonathan Maberry, and more. How to develop your craft, improve your writing, get an agent, promote your work, embrace the digital age, and prepare yourself for the coming changes in the publishing industry. Edited by Scott Nicholson.

Other contributors include Elizabeth Massie, Harley Jane Kozak, Douglas Clegg, Brandon Massey, Mur Lafferty, Dean Wesley Smith, David J. Montgomery, Kristine Kathryn Rusch, Robert Kroese, and Adrienne Jones. Covering art, craft, and business, the ever-evolving manual supports the writing blog writegoodordie.blogspot.com.

All proceeds benefit the non-profit organization Literacy Inc., which promotes reading among teens.
My Amazon review reads:

Over Thirty Carefully Selected Essays on the Craft and Business of Writing

I was attracted to this collection because of the many contributing authors I admire in it, and also because I knew Scott Nicholson (whose novels I’ve recently become a fan of) would do a great job with selecting helpful and interesting advice. ‘Write Good or Die’ met all of my high expectations.

The version I purchased contained 22 articles focused on specific areas of craft, and 11 articles focused on practical business matters for writers. Every single piece was worth reading, and the collection broadened my horizons and got me thinking about the craft and business of writing from new points of view–all of them from either successful or otherwise qualified contributors.

The current price is criminally low, and the proceeds from its sales support a writing-oriented charity. I give it as emphatic a recommendation as I can give.

Get it at:

Smashwords (Free, multiple e-formats)
Amazon
($0.99 for Kindle)
Write Good or Die Blog (pdf)

I also recommend Scott Nicholson’s other books, too, like “Drummer Boy” or “Red Church.” Scott’s a very cool guy and in my opinion an outstanding writer. Thanks for putting this together, Scott.

Tags: , , , , , ,